For Swift, the injury of not controlling her own work was compounded into intolerable insult by the fact that Braun managed rapper Kanye West during a period of intense conflict between the two artists. This has now happened to Swift twice: first in 2019, when Big Machine Records and all its master recordings were bought by Scooter Braun’s private equity company Ithaca Holdings, and again in 2020, when Braun and Ithaca Holdings sold her master recordings to Shamrock Holdings, another private equity company. Opinion: ‘Haters gonna hate,’ so Taylor Swift wants her fans to vote them out ![]() Taylor Swift' during the 2022 Toronto International Film Festival at TIFF Bell Lightbox on Septemin Toronto, Ontario. Taylor Swift attends 'In Conversation With. Even worse, these master recordings (and the rights owning them entails) can be sold without the consent of the artists themselves. She and her co-writers retain the copyright for the songs as compositions, meaning if someone wants to reprint her lyrics in a book or - crucially - make a new recording of any of her songs, only Swift and her co-writers need to approve, and only they profit.īut if someone wants to purchase, stream or publicly use the version of any song from her first six albums as it was originally recorded, then Big Machine must give its approval and is entitled to a portion of the proceeds. That’s because the master recordings of her first six albums belong not to Swift, but to her former label, Big Machine. While each reissue has contained six previously unreleased songs, the primary motive behind recording and releasing what Swift has labeled “Taylor’s Version” of these albums has not been to share new songs but to reclaim full ownership of her old ones. ![]() ![]() 1 albums deliberately engineered to sound as much like the original versions as possible. But what makes it stand out even more is that three of those 12 are rereleases of earlier No. This chart dominance is clearly an impressive achievement.
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